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    <loc>https://www.monicacure.com/home</loc>
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    <loc>https://www.monicacure.com/about</loc>
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    <lastmod>2023-01-05</lastmod>
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      <image:title>About</image:title>
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  <url>
    <loc>https://www.monicacure.com/poems</loc>
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    <lastmod>2024-12-06</lastmod>
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      <image:title>Poems</image:title>
      <image:caption>In magazines (selected) “Month to Month” and “Off Season” Four Way Review “Pitești” Graywolf Lab “I’m Not a Generous Person” Common Ground Review “Patron Saint of Among Other Things” Common Ground Review “Lines” Salamander, Issue 57 “Water News” Poetry Northwest, January 1, 2024 “Taking Care” and “Universitate” Action, Spectacle, Winter 2023 “Beginning with the Stairs” Letters Journal, Issue 15 “It’s Time” 2021 semi-finalist in Boston Review’s annual poetry contest “A Country of My Mother” The Shore, Issue 16 “Sheer” RHINO 2022, Issue 46 “Earthquake Myth” Roanoke Review “The Day of Fixing Things” NonBinary Review, Heathentide Orphans 2021 “Salt” UCity Review “Cochilia, Black Sea” Iamb “In Front of Golia Monastery” Rust + Moth “Poetry Is Exorcism” and “True North” Little Stone Journal, Issue 2 “Romanian Lessons” Plume “The Country of Leaving” Plume In other media “Divinitate” Poster x Poem collaboration with artist Alina Marinescu Three audio poems in Iamb “Light Connected” Spoken word piece as part of multi-genre performance for the graduation celebration of college-bound LA County foster youth (United Friends of the Children, Walt Disney Hall, Los Angeles, 2010) Autotranslations “Lecții în română” (Romanian Lessons) translated with Ioana Ieronim, Atelier Liternet</image:caption>
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    <loc>https://www.monicacure.com/dialogue</loc>
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    <lastmod>2021-12-09</lastmod>
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      <image:title>Dialogue - Dialogue.</image:title>
      <image:caption>In the diverse, and often polarized, world in which we live, we all know we need more of it. But how can we dialogue well together in our organizations and our communities?</image:caption>
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      <image:title>Dialogue</image:title>
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      <image:title>Dialogue</image:title>
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      <image:title>Dialogue</image:title>
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      <image:title>Dialogue</image:title>
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  <url>
    <loc>https://www.monicacure.com/translations</loc>
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    <lastmod>2024-12-06</lastmod>
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      <image:title>Translations</image:title>
      <image:caption>“Translation is that which transforms everything so that nothing changes.” – Günter Grass Monica Cure is the winner of the 2023 Oxford-Weidenfeld prize for her translation of The Censor’s Notebook by Liliana Corobca. She focuses on Romanian to English literary translation and does limited specialty commercial translation (HBO Romania, Mobra Films, Catinca Tabacaru art gallery). Poetry Adela Greceanu -“Tartine. Quasi-unfamiliar. To handle a relationship” Plume    Selections from Words Are Also a Province Asymptote  -Three poems, Cigarettes Until Tomorrow, An Anthology of Romanian Poetry in Translation, Two Lines Press, 2024 -Three poems, The Dial Magazine Dan Coman, “A Tall Bird” Plume Diana Iepure, two poems, Kenyon Review Spring 2023 Doina Ioanid -Four poems, Modern Poetry in Translation, Slap-Bang 2021 no. 3 -Untitled from Stitches, Apofenie, November 2023 Dan Sociu, Conatus, Apofenie, November 2023 Krista Szöcs, K. 7:00, Apofenie, November 2023 Veronica Ștefăneț - Two poems, Columbia Journal no. 60 -Three poems, Circumference Magazine, no. 10 Prose  Liliana Corobca Too Great a Sky, Seven Stories Press 2024 Selected Reviews/Interviews: “‘The Burden of Knowing’: Exile and Survival in Liliana Corobca’s Too Great a Sky” by Cory Oldweiler in Words Without Borders “Blood on the Tracks: A life caught in the wheels of twentieth-century history” by Costica Bradatan in The Times Literary Supplement “Uncovering Truth Through Fiction: Liliana Corobca and Monica Cure on Too Great a Sky” Interview by Regan Mies in Asymptote Kinderland, Seven Stories Press 2023 Selected Reviews/Interviews: “Kinderland by Liliana Corobca review – a bleak but beautiful tale of survival” by Alex Preston in The Guardian/Observer “Announcing Our November Book Club Selection: Kinderland by Liliana Corobca” by Michelle Chan Schmidt in Asymptote “Kinderland — a poignant story of Moldova’s abandoned children” by Lucy Popescu in Financial Times “Fear Is a Sickness: On Liliana Corobca’s Kinderland” by Maria Rybakova in The Los Angeles Review of Books “Letting Us Adults In on a Secret: An Interview with Liliana Corobca and Monica Cure” by Will Forrester in PEN Transmissions The Censor’s Notebook, Seven Stories Press 2022 (Winner of The Oxford-Weidenfeld prize, recipient of a Romanian Cultural Institute translation grant) Selected Reviews/Interviews: “The Censor’s Notebook: An intimate exposé of totalitarian Romania” by Matthew Janey in Financial Times “Censor’s sensibility: A gravely funny bowdlerizer’s tale” by Costica Bradatan in The Times Literary Supplement “Sing On in the Face of Horror: On Liliana Corobca’s The Censor’s Notebook” by Cory Oldweiler in The Los Angeles Review of Books Raluca Nagy, excerpt from Teo from 16 to 18, the novel selected as Romania’s entry for the 2022 European Union Prize for Literature George Săsărman, three stories, The White Review: Writing in Translation Anthology, forthcoming April 2024 Non-fiction Dumitru Crudu “Smert' Rumynam/ Death to Romanians” LCB diplomatique February 2024 Margareta Matache “Why We’re Telling the Story of Slavery” and “The Hidden History of Our Roma Ancestors” DoR (Decat O Revista) magazine</image:caption>
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    <lastmod>2023-12-15</lastmod>
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    <loc>https://www.monicacure.com/nonfiction</loc>
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    <lastmod>2025-09-02</lastmod>
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      <image:loc>https://images.squarespace-cdn.com/content/v1/605daf0f6239dd4b458887d1/1617785062355-00L0UDGJRUDT8IKKBRXL/cover+art+postcard.jpg</image:loc>
      <image:title>Non-fiction - The first full-length study of a once revolutionary visual and linguistic medium</image:title>
      <image:caption>(University of Minnesota Press, 2018) Picturing the Postcard recovers just how fraught and powerful a communications technology postcards were at the turn of the twentieth century. With a dazzling range of reference, Monica Cure demonstrates the remarkable cultural and literary power of the postcard and rewrites our contemporary narratives of new media. —Kate Marshall, author of Corridor: Media Architectures in American Fiction Picturing the Postcard turns our attention to a small yet vital piece of nineteenth-century new media. Tracking the postcard’s outsized effects, in everything from touristic travel to the rise of feminism, Monica Cure illuminates an often-overlooked item whose cult popularity reveals much about modern life and culture in turn-of-the-century America and Britain. —Rachel Teukolsky, author of Picture World: Image, Aesthetics, and Victorian New Media</image:caption>
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      <image:title>Non-fiction - Also available in a new Romanian translation by Dana Badulescu.</image:title>
      <image:caption>In a review in the Observator Cultural, Doina Ioanid calls the book “an original monograph, one that is an interesting and enjoyable read.” Read more (in Romanian)</image:caption>
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    <lastmod>2024-06-09</lastmod>
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      <image:title>News/Interviews/Events - Make it stand out</image:title>
      <image:caption>L-R: Mari-Liis Müürsepp (Estonia),Vasyl Makhno (Ukraine/USA), Monica Cure (USA/Romania), Yekta (France), Yuki Nagae (Japan), Indrė Valantinaitė (Lithuania), and Anna Piwkowska (Poland). Not pictured: Marija Luīze Meļķe (Latvia) and Aleš Šteger (Slovenia)</image:caption>
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      <image:caption>Monica Cure was selected as a participant in this year’s FILIT (International Festival of Literature and Translation in Iași) translator workshop alongside translators of Romanian literature from a total of 13 countries. Her project was a sample from a children’s book by surrealist poet Gellu Naum. Read more (in Romanian)</image:caption>
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